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In this compelling private eye mystery by the Shamus and Anthony finalist author, a young studio secretary is missing along with a number of valuable scripts that might be adapted for television. Their author is murdered, and within a few days, he is nominated for an Oscar. At the same time, a New York TV genius is playing studio against studio for production space and artistic control. Hired to investigate the writer's murder, a private eye finds himself involved with a violent motorcycle gang, low-lifes, and studio bigwigs. Then an apparent innocent is murdered, another remains missing, and the detective becomes an avenging angel. His actions endanger not only his own life, but the life of the woman he loves. It's the early 1950s, and former movie audiences were staying home to watch I Love Lucy on TV. Television's big success meant declining attendance and revenues at the movies. Studio executives were taking every means to compete, including subterfuge, double-dealing, theft, and the sin-of-sins, merging with New York, TV production companies. This mystery as Roman à clef features invented lead characters intermingled with real studios, executives, and actors. Long-time movie fans will recognize the real-life counterparts behind their fictional disguises.

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